![]() ![]() Other recent Hollywood films in Hammer's résumé include Entourage and the role of Illya Kuryakin in The Man from U.N.C.L.E. in 2015, Nocturnal Animals and Mine in 2016, F inal Portrait and voicing the role of Jackson Storm in Disney-Pixar's Cars 3 in 2017, Sorry to Bother You, Hotel Mumbai, and On the Basis of Sex in 2018, and Wounds in 2019. His most critically acclaimed performance to date was his role as Oliver in the 2017 film Call Me By Your Name, earning him a nominations for Best Performance by an Actor in a Supporting Role in a Motion Picture at the 2018 Golden Globes. His next starring role came as the title role, John Reid, in Disney's The Lone Ranger alongside Johnny Depp in 2013. ![]() Edgar and starred as Prince Alcott in Mirror Mirror opposite Julia Roberts. In 2012, he earned a Screen Actors Guild Award nomination for his performance as Clyde Tolson in J. His performance as twins Cameron Winklevoss and Tyler Winklevoss in hit film The Social Network propelled his career to new heights in 2010, and he would also later voice the twins in a 2012 episode of The Simpsons entitled The D'oh-cial Network. In 2009, he went on to appear as Gabriel Edwards in four episodes of Gossip Girl and as Morgan in five episodes of Reaper. He attended Faulkner's Academy and Grace Christian Academy in the Caymans and later attended Los Angeles Baptist High School in the San Fernando Valley, but decided to drop out of school during 11th grade to pursue a career in acting.Īfter a handful of small parts in shows such as Veronica Mars and Desperate Housewives in 20, Hammer's breakthrough came after securing the role of Billy Graham in 2008's Billy: The Early Years. He is best known for his prolific screen career, including roles in The Social Network, The Man from U.N.C.L.E., The Lone Ranger, and Call Me By Your Name.ĭuring his youth, Hammer spent time in Dallas, Texas and the Cayman Islands before relocating back to Los Angeles. Armand Douglas "Armie" Hammer is a Golden Globe-nominated actor who was born on Augin Santa Monica, California. ![]()
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![]() ![]() It’s fitted with a sink from Kohler’s Purist line, and there’s also a new Kohler toilet (added after the mosaic was installed for a clean look). That included installing subway tile (Daltile in Arctic White) around the existing clawfoot tub as well as a new watering can shower head and hand faucet in brushed nickel (by Randolph Morris) and painting the walls Benjamin Moore Super White.Īfter considering custom sink vanity options, Brackett decided to simplify matters by buying Restoration Hardware’s Marten’s Single Vanity, which came with a Carrara marble counter (the exact model is no longer available, but the Martens Single Extra-Wide Vanity Base could be fitted with a marble countertop). But before that could begin the couple had their trusted contractor, Sallie Lang of Bliss Design Build, get the room refreshed and ready. Above: Myers does most of the tile work in her studio in Inverness. Myers then made a sample maquette, and seeing that-and all the nuances in each color-made them decide to whittle their choice down to white. After Above: Wanting to inject a bright, clean look to their master bath, Brackett and her husband asked Myers to create a floor evocative of “the ocean, fog, and the inside of sea shells.” The herringbone pattern is composed entirely of white opal glass tiles that, once laid on a mortar bed, present a dazzling range of shades varying from translucent to opaque and many points in between.īrackett told us, she and her husband had been so taken by all the color options Myers showed them that they had initially picked a trio: white, blue, and gray. Here’s a look at the room’s various stages of transformation. A West Marin, California, artist and art teacher who grew up in Northern England-and has a masters in painting and drawing from Ohio State-Myers specializes in the ancient art of mosaic. And that involves cutting each tiny glass tile by hand. ![]() #MOSAIC BATHROOM TILES HOW TO#Fortunately, they knew how to track down its creator, Sarah Myers-and understood it was a project worth the time, effort (overall bathroom touch-up included), and expense, to do right.Īnd so Myers was summoned and the many-months project got under way. But they found themselves missing one detail in particular: the handmade tile floor in their bathroom, an existing feature that had sold them on the house in the first place. When our friend photographer Aya Brackett and her family moved into a house just across a shared courtyard from their former place in Oakland, California, they gained more space. Icon - Check Mark A check mark for checkbox buttons. Icon - Twitter Twitters brand mark for use in social sharing icons. ![]() Icon - Pinterest Pinterests brand mark for use in social sharing icons. flipboard Icon - Instagram Instagrams brand mark for use in social sharing icons. 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Bathroom of the Week: An Artist-Made Mosaic Tile Floor, Start to Finish - Remodelista Icon - Arrow Left An icon we use to indicate a rightwards action. ![]() ![]() ![]() Attendees will learn about the technical capabilities of SOLIDWORKS xShape and how it complements SOLIDWORKS xDesign and SOLIDWORKS Desktop workflows. Session Description: In this session attendees will learn about SOLIDWORKS xShape, the browser-based subdivision modeling tool from SOLIDWORKS. If you’re interested in learning more about SOLIDWORKS xShape while at SOLIDWORKS World 2019, two sessions are available: #Download learning solidworks xdesign software#With SOLIDWORKS xShape you never have to worry about what version you are running, you’re always using the most current version of the software – no more upgrading and worrying about software version compatibility.SOLIDWORKS xShape runs fully in a browser, so no installation is necessary, meaning more freedom to choose what device you want to use to create.Interoperability with SOLIDWORKS desktop and SOLIDWORKS xDesign as well as compatibility and scalability with the rest of the 3DEXPERIENCE Platform provides a complete business innovation platform to help you develop products more efficiently and grow your business.Collaboration is at the core of xShape – sharing concept designs and working on the same design is as easy as connecting on social media.Ease of use – an intuitive approach to creating dramatic freeform shapes makes xShape the perfect tool for developing new and exciting designs quickly that can be rendered and manufactured for design reviews, customer approval or testing.What are the benefits of SOLIDWORKS xShape? Unlike standard surface modeling that requires sketches and curves to control the shape, SOLIDWORKS xShape creates high-resolution models by manipulating (push-pull) a lower-resolution “cage” model while using software to subdivide for a smoother surface. ![]() Subdivision surfaces are capable of producing smooth organic forms using just a relatively few control vertices. Subdivision modeling (also known as Sub-D modeling) is a special type of 3D modeling used to create very smooth models with scalable detail that look very smooth when rendered. Since it runs on the cloud, there is no required software maintenance, no installation, no updates, so you are always on the latest version and you can access it wherever you are. Lastly, xShape is not tied to a specific operating system, meaning you have more freedom when it comes to hardware you want to work on. Changes made in the cover design in xShape will be passed reflected in to SOLIDWORKS desktop, and changes made in SOLIDWORKS will be reflected in the xShape model, thereby providing interoperability between SOLIDWORKS xShape and SOLIDWORKS desktop. For example, you can design something in SOLIDWORKS desktop, open it in SOLIDWORKS xShape, create a model, such as a cover for an electronic device, and then just reopen the whole assembly, including the new cover, in SOLIDWORKS desktop again. Second, it provides interoperability with other 3DEXPERIENCE Platform applications like SOLIDWORKS xDesign as well as SOLIDWORKS desktop, unlike other free-form modeling software on the market that do not provide interoperability. ![]() This also makes it easier to make dramatic changes to the shape than with standard parametric surface modeling, which makes xShape particularly useful in the early conceptual design phases of a project during which major changes in the shape of the design must be made quickly. It is very intuitive to use because of the way you interact with the design to create and edit the shape – more like pushing and pulling on the surface, similar in many ways to sculpting a design versus CAD modeling. It runs fully in a browser, so no installation is necessary, meaning more freedom to choose the device you want to work on.įirst, SOLIDWORKS xShape allows much faster and more flexible creation of freeform shapes than standard parametric surface modeling. It is the second “xApp” in a portfolio from SOLIDWORKS that allows industrial designers, digital artists, and engineers to create innovative products in a new way. SOLIDWORKS xShape is the 3D subdivision modeling tool on the 3DEXPERIENCE Platform, used for creating designs that require organic shapes with very smooth transitions. Attendees will learn about the technical capabilities of SOLIDWORKS xShape and how it complements SOLIDWORKS desktop and SOLIDWORKS xDesign workflows. SOLIDWORKS xShape is a browser-based subdivision modeling tool from SOLIDWORKS. There will be two sessions on Tuesday afternoon: one a breakout session (introducing SOLIDWORKS xShape) and the other a hands-on session (Subdivision Modeling using SOLIDWORKS xShape). This year at SOLIDWORKS World you will find out about an exciting new SOLIDWORKS product for free-form, subdivision (Sub-D) modeling called SOLIDWORKS xShape. ![]() ![]() ![]() This new arrival in Christian iconography occurred from around the 300s AD, more than two centuries after it had appeared in Buddhism. Then, with the growing acceptance of Christianity in the Roman Empire, artists began to represent Jesus with a halo, now regarded as the highest symbol of divinely sanctioned authority. Constantine (Emperor 306-337CE) recognised the iconographical power of the halo, so he and his successors arrogantly appropriated it and used it in artistic representations of themselves. Both gods combined graceful masculine physiques with divine powers, linked to the sun's radiance and authority, and so were worshipped by the most powerful members of society, especially the Roman Emperors. Mithras later influenced the iconography of another Roman deity – Sol Invictus (the "sun unconquered"). Meanwhile Mithra was also winning the hearts of the invading Roman Empire to the west – to the extent that Mithraism evolved into a major Roman religion. So much so that the iconography of Buddha – even from the earliest visual representations of him, such as the Bimaran reliquary (which might date from the late First Century AD), show him with a Mithraic halo. This youthful and attractive god with his divine radiance had an obvious appeal to a growing number of people around the Hindu Kush. Both empires, which were steeped in ancient Iranian cultural history, brought coinage with them that represented Mithra with a halo. In the First Century AD, the Indo-Scythians (nomads from Iran) and the Kushans (from Bactria, Afghanistan) invaded the regions to their southeast, the territories now covered by modern-day Pakistan, Afghanistan and northern India. So how did the halo's influence spread across the world and between religions? The initial movement of this piece of religious iconography is outwards east and west from its birthplace in Iran, in the hands of some of the past's most powerful empires. It has been contested that the concept of divine glory (known as 'Khvarenah') in Zoroastrianism is intimately connected with the radiance of the sun, and that the halo was the pictorial means of relating this quality to Mithra, just as it had been for Ra. It seems to have been conceived as a distinguishing feature of Mithra, deity of light in the Zoroastrian religion. The earliest examples of a disc halo come from the 300s BC in the religious art of ancient Iran. But the distinctive circular disc halo is an invention of a later date and presumably the result of unique religious ideas. ![]() Likewise in the art of ancient Greece there are occasional representations of rayed crowns of light surrounding the heads of mythological heroes to suggest their unique divine powers. However, these are inscribed around the whole bodies of holy figures, rather than just their heads. Meanwhile, some artefacts from the city of Mohenjo-daro (in the Indus valley), created in the 2000s BC, feature what look like rayed auras. In ancient Egypt, the solar deity Ra was commonly shown with a circular disc representing the sun – although this was above his head rather than behind it. It is likely to have evolved from very early art traditions. It had not featured in any prior religion, and yet it became a fixed piece of religious iconography across Eurasia within a few centuries. Investigating the function of the original circular halo in religious art only takes us back as far as the 1st Century BC. ![]() One amusing proposal was that it derived from protective plates fixed to statues of gods to protect their heads from bird droppings. Perhaps it was a simple decorative embellishment. Alternatively, it may have been a symbol of a divine aura emanating from the mind of a deity. Why was this symbol invented? It has been conjectured that it could have originally been a type of crown motif. There are many variants, including rayed haloes (like that on the Statue of Liberty) and flaming haloes (which feature in some Islamic Ottoman, Mughal and Persian art), but the most distinctive and ubiquitous is the circular disc halo. This aura around a holy figure's head expresses their glory or divinity and can be seen in art across the world. The ancient symbol that spanned millennia But if you just look at them, you will see a symbol that connects them all – the halo. Christianity, Buddhism, Hinduism, Zoroastrianism and Greek mythology are usually regarded as utterly distinct religions, largely defined by their differences. ![]() |
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